I'll Get So Up for It
New Panda Bear video for one of Tomboy's standout tracks, "You Can Count on Me":




PiXELMIX: "He Didn't Care And Neither Did She"
Everybody loves Julian Lynch. Now he has a new video you can love too, for his jam "Back":
New jam from CA bros of shoegaze/"post punk" band Weekend:

It brings me a mix of great pain and pleasure to review the footage from Pure X's last visit to the east coast. But it is with love I, along with Weird Magic, present this clip of "Surface" from their show at 285Kent:
Pure X's new video for "Easy" came out yesterday. It features some friends of theirs who are in the Austin hardcore S&M scene. Which brings up the larger issue...
Friends have a new video out for "Friend Crush" directed by Matthew Caron and shot by Chris Person and starring Market Hotel.
Big Troubles are releasing their upcoming full-length Romantic Comedy via Slumberland in September, and they've released the first single.
Cass McCombs released a self-directed video for "County Line," the standout track from his most recent album Wit's End (2011, Domino).
We come to you bearing the fruitful mix of loving laborer Emilie Friedlander, frontwoman of LA BIG VIC and Altie Zoner herself. Here within is a sequence of jams so dear to her you must consider them the very fibers of thread that stitch together her heart, keeping it safe and whole. They teeter right on the edge of Spring-cum-Summer. Emilie says of them:Here is a collection of songs that I've kept very very close to me over the years-- mostly introduced to me by friends, and mostly of the loner-psych variety. The dominant themes are love, God, and the beauty of a perfectly timed drum fill.
Blowin' up, blowin' up! LA BIG VIC are exploding the interwebs lately with the recent release of their new music video for "Mr. Broken-Bird," a stellar in-studio at Newtown Radio, and a full-length Actually LP out today on Underwater Peoples. They've even garnered mention on MTV's alt-blog Iggy. MTV, that still means something to you, right??
Once in a while in life, we have revelations about ourselves. A person's level of self-actualization can be judged by how open they are to these key moments of introspection. For us today, it was the realization that we really just fucking love pop music, and it's okay to embrace that for what it is.
Everyone's been attributing the recent absence of Salem from the interwebs to the death of witchhouse. But now we know better. Salem are back with a music video for their remix of Charli XCX's British pop jam "Stay Away":
It is impossible to decide what we like most about the new Mane Mane music video from Aaron Katsnelson, Bushwick's most talented AfterEffects guru. Possibly the colorscapes, so carefully softened and sci-fi fresh... See for yourself:
Last Friday was April Fool's night at 285 Kent - as in, you're a fucking fool if you didn't come. Weird Magic's Rezzie joined by Sasha Des'ree (of Sweat) opening up for Dutch Treat, LA BIG VIC and Friends. Notable further still were the epically fun sets by DJ's Etienne and Jan Woo. 'Twas truly a Bushwick family affair for all ages, shapes and sizes.
Moon Duo released their full-length LP Mazes today on Sacred Bones, as well as the video for the title track:
Whoa, this is nutty. The grandpappy of chillwave, Neon Indian's Alan Palomo, and OK city original gangsta Wayne Coyne of Flaming Lips teamed up to release a 12" EP. But it's already sold out. Of course. Listen to this newly released track:
It's been a few weeks since we first heard "Flashlight," this sickly sweet-n-slow jam from Syd the Kid (OFWGKTA) featuring Lux. And we still can't get over it.
[via Weird Magic]
New one from Cults "You Know What I Mean" has a nice doo-wop tempo and a more refined use of reverb sound than we have been hearing lately:
Crystal Stilts have a new video out for their song "Through The Floor":
LA BIG VIC have a new song out via Shaking Through. It premieres this morning on our beloved The Fader dot com.
WHOA. Come to this sick SXSW daytime showcase on Friday next week:Comprised of new material written on and off the road, the ten-song set was recorded in a former Catholic church, aka Sacred Heart Studio (where the band previously crafted 2002’s Trust). Sparhawk says Low deliberately seeks out circumstances that will generate challenges and happy accidents, breaking them out of established patterns. “We like to work in situations where there’s a character, whether that’s the time period or who we’re working with. A lot of times, the space can set that tone.”
[via]
The "math rock" genre is evolving. Popular contemporary acts like Tera Melos, Marnie Stern and even Battles are finding more advanced algorithms and complex grand theories to make white people even more awkward dancers.
Quantum Leap is the recently released single from John Maus' upcoming album, We Must Become The Pitiless Censors Of Ourselves. The album is due out June 28th in the USofA via Ribbon Music and June 27th in Europe via the UK label Upset the Rhythm.
Surely by now you have witnessed the Brooklyn uproar over John Maus' recent hiatus from his infamously reclusive life as a hermit in god-knows-where. Some mp3's were leaked, some album details were released, and he played a few shows in BK last weekend. Sweet, right?



Who does that fucking asswad in the background think he is...
Ray Concepcion?? LOOK at this guy!!
Mmmm GATORADE.



This hurt him more than it hurt you, you shithead you.


We'd like to further reiterate yesterday's sentiment with the latest video from Odd Future:
Speaking as someone whose day job (let's face it, "career") is in the commercial post-production industry, I can't help but notice how much CRAP there is being flung at me in the form of indie music videos. There have been so, so many music videos being churned out lately that are complete shit. Really unoriginal, low-grade, boring, redundant works made with little to no creative effort or technological skill set. It's sort of exhausting. Furthermore, for an editor, a music video is one of the easiest types of video to output - just cut to the music.